How to Draw Girl Bodies in Different Posistions
Understanding the figure
To draw a pose correctly, you don't demand to always conduct an anatomy book with you. Information technology's not as difficult as information technology seems: observation and practice are your best tools. If at any betoken yous get curious nigh trying something new (which I hope yous do), it never hurts to take a look at that anatomy book.
Fifty-fifty if your drawing style is far from realistic, the aspects that make a pose interesting and credible remain the aforementioned: forcefulness, rhythm, action lines, construction and perspective.
Observation:
Your closest reference is yourself. If yous expect at yourself in front of a mirror and start moving, you will notice that your body works as a unmarried element.
When yous raise an arm, the arm is not the only office of your body that moves, unlike how the removable extremities of dolls work. The changes in your trunk don't resemble figure A, right? For example, your shoulder also lifts, and many other parts of your body conform to the motion every bit in figure B.
This is what ascertainment ways: paying attending to the details and characteristics of the torso.
Strength and rhythm
Your characters movement thanks to their inner strength. They can walk, spring, dance… whatever comes to mind! But unless they are floating in space, it is not the simply force that acts on them, as gravity makes their anxiety stay on land.
When two or more than forces collaborate with each other, a rhythm is set, which provides balance and sense to the motion.
If your graphic symbol is pushed to the left, his body will fall in that direction (A), unless he puts upward resistance to stand (B).
If the character wants to pull something that refuses to motion, his trunk volition lean in the opposite direction. Manifestly, once the true cat gives in to the force, your graphic symbol volition fall, every bit the cat was what kept him standing.
Strength and rhythm provide a lot of visual information you tin work with: the weight of your graphic symbol (1), the balance of his pose (ii) or the lack of it (three).
Action lines
The action line is the imaginary guide that indicates your character'due south motility. It focuses on actions and helps to unify the whole figure.
Below you lot tin see a couple of examples where forcefulness, rhythm and action lines interact together.
Example ane:
The grapheme (1) has a relaxed stance, resting on her right arm. In the figure (2), we can see her action line, which covers her whole body up to the foot. The shape is slightly like to an Due south.
Nosotros can encounter it is a relaxed pose because her weight rests on a unmarried betoken (3) and all she needs is to keep the balance with her left foot, which remains taut while the correct one is resting.
Instance ii:
The next pose is more than dynamic, so there are more things going on in this image.
This time you lot can see three action lines, only the near of import are (1) and (two), the ones that actually tell the story. The start one covers the whole effigy from head to toe, and the second one goes in the opposite direction, keeping the balance and forming an X. The third i simply provides greater stability to the pose.
In this drawing nosotros can run across that in that location is a forcefulness that pushes the character in the opposite direction to her gaze. Elements such equally the hair, the clothes and the grit on the floor suggest that the force comes from the right side, and equally these elements are light, they are afflicted by the speed with which this force acts.
Even so, this girl wants to overcome this force with her own strength. She has no intention of losing the fight.
Instance 3:
This fourth dimension, our character is a baseball player. He'south spinning his body to go enough momentum and counter the ball'south force to striking it far away. Don't you get the impression that information technology will exist a home run even though you haven't seen how the scene ends nonetheless? It's the magic of anticipation. If yous know how to properly handle the strength, rhythm, and activeness lines correctly, you lot volition be able to guide the spectator along the path y'all accept ready. This is very important for whatever comic creative person.
It'southward important that you don't overpopulate your drawing with besides many activity lines, because it could confuse the character's intention, make the force become in unlike directions, and take the emphasis away from the virtually important activity.
Construction
The torso is quite complex and it is hard to depict correct proportions and move away from the 2D airplane. I recommend you shape a base that helps you discern the volume of each element. To exercise this, we will employ geometric figures such as spheres, cubes and cylinders to represent the structure of the body.
These figures can be freely rotated, stretched, flexed, and twisted according to the pose.
These figures represent the direction of the dissimilar elements of the body. You lot must pay special attention to the limits of the joints, since at a sure indicate you lot accept to turn or twist the body to keep moving in that management, changing drastically the pose.
With practice, this process gets simpler. The ameliorate you empathise how the figure works, the fewer guides you will demand.
Perspective
Perspective turns the 2nd aeroplane into a 3D ane and adds more than depth and visual richness to the limerick than just looking at it from a frontal plane.
The middle level or horizon line represents the actual acme of the viewer'south eyes (1), and the vanishing points are the lines projected from a indicate on the horizon (two). The post-obit image has a perspective with 2 vanishing points with which nosotros can capeesh two faces of the figure.
The body is more than intricate, but the principle is the same. For instance, this figure's feet and easily are smaller due to the perspective, and even suggest united states how we should projection the vanishing point lines.
Action poses always look more dramatic when the perspective is exaggerated. Even when the poses are non entirely realistic, the figures seem credible and the scenes await more interesting.
I recommend you to practice and read almost perspective equally much as possible, as it is not something you tin master in a twenty-four hour period. Analyze every bit many references as you lot can. Eventually, you'll finish upwards seeing vanishing points everywhere.
Essential lines
You tin can speed upwards and meliorate your observation skills by drawing poses using photos or actual people equally a reference and setting a curt time limit for it. The aim is to capture the essential information of the figure and, of course, to draw as many poses every bit possible.
This exercise volition besides help y'all to increase your confidence when drawing. Don't be afraid to draw the beginning line, and fifty-fifty if you brand a mistake, avoid erasing the lines. Try to focus and draw clean, articulate lines.
Below you tin can run across some examples of poses that I have drawn within 45 to threescore seconds:
At first, focus on drawing the whole body with smooth lines. Then, if you have more time, item and build the shape improve.
Don't be afraid to draw what you don't see or what is hidden, equally information technology will requite you a ameliorate thought of the figure'due south structure.
Try to exaggerate the lines. It makes them softer and more apparent, still crazy it sounds.
Unless the model is in a very rigid posture, try to avoid directly lines. The near natural poses are built with curves.
I promise these tips have been helpful!
If y'all want to see more of my work, from these links you can access my social media pages and my portfolio:
https://www.instagram.com/eri_duh/
https://twitter.com/eri_duh
https://www.artstation.com/eridey
Thank you and so much for reading this article!
– Eridey
Source: https://www.clipstudio.net/how-to-draw/archives/156164